As its title suggests, this is not a show about the muddled China of western imagination. There's no work in defiance of political repression, no calligraphy or terra cotta warriors. Instead, the exhibit asks what these particular artists are up to, right now. The answer, in some cases, is not very much.

Kan Xuan is preoccupied with the mundane. In Garbage, the artist holds up everyday detritus for examination. In the much jollier Two Yuan! Two Yuan! images flash on a screen of items priced at two yuan (about 20p): a humorous celebration of tat. In the opposite corner, Xu Chen's web project sifts through images uploaded by the public, showing each memento once, for precisely one minute, offering a mesmerising peek into unknown lives.

Hanging above the gallery's stairwell is a beautiful canopy sewn by Hu Xiaoyuan. Shi Qing stands out: in robes, he strikes threatening poses, armed with weaponry of his own devising. Sinister? Not really: Qing arms himself with colanders, ladles and tomatoes.

These artists have one thing in common: examining overlooked aspects of daily life, and finding humour.