The head of Telford College’s drama course, Scott Johnston, has cast his new production of A Clockwork Orange with a female set of Droogs and, with girl gangs high on the list of society’s apparent ills, it’s a relevant reinvention of Anthony Burgess’s future-shocker.
Review: Apparently Prokofiev’s original score for Romeo and Juliet had a happy ending. No such optimism derails the final, tragic conclusion in this compelling new production, premiered by Scottish Ballet on Tuesday.
An empire of trans-oceanic Scottish trade would not have existed but for the Union of 1707 that resulted in Scottish inclusion within the English system of tariff protection.
This year’s Glasgow International Jazz Festival looks all grown up with stellar names heading a programme that still plays up local talent. By Keith Bruce.
Review: It’s said that if you wait long enough, then every band from your youth – with certain obvious exceptions – will come around again. The Blackbyrds appear never to have gone away.